SELECT BIBLIOGRAPHY

The literature on medieval proportioning systems in general is vast and not always profitable”(Toker. 1985, 80. note 28).

Ackerman, J. (1949). “Ars sine scientia nihil est”.  Art Bulletin, XXXI, 84-111.

Alexander, J. (1996). ‘Masons’ Marks and Stone Bonding’. (T.Tatton-Brown and J.Munby, eds. The Archaeology of Cathedrals. Oxford Committee for Archaeology, Monograph no.42, 219-236.

Anderson, M.D. (1955). The Imagery of British Churches. London, Murray.

Bailey, J. (1991). ‘St. Hugh’s Church at Lincoln’. JSAH 34

Bamford, C. (ed.) (1994). Homage to Pythagorus. New York, Lindisfarne.

Banister Fletcher, (1943). A History of Architecture on the Comparitive Method. London, Batsford.

Bannister, T. (1968). ‘The Constantinian Basilica of St.Peter at Rome’. JSAH, 3-62

Barnes, Carl F. (1989) “The ‘Problem of Villard de HonnecourtLes Battisseurs des Cathedrales Gothiques. Strasbourg.

Barnes, Carl F. Jr.(1996). Villard de Honnecourt. MacMillan Dictionary of Art, Vol.32, 569-571.

Bertalot, J. (1981). ‘Number Symbolism in Bach – Part 1’. Musical Opinion, August 1981, 414-415.

Billings, R.W. (1843). Architectural Illustrations of Kettering Church, Northamptonshire. London, Boone.

Billings, R.W. (1851). The Power of Form. Blackwood.

Blum, P. (1986). ‘Liturgical Influences on the design of the West Front at Wells and Salisbury’.  Gesta, 25, 145-160.

Bosman, L. (1932). The Meaning and Philosophy of Numbers. London.

Bouleau, C. (1963). The Painter’s Secret Geometry. London, T&H.

Branner, R. (1958). ‘Review of Lesser, Sacred Geometry & Gothic Cathedrals’. JSAH,17/1.

Branner, R. (1960). Villard de Honnecourt, Archimedes and Chartres’. JSAH,   91-96.

Branner, R. (1982).  Gothic Architecture. N.Y.  Brazillier.

Breakspear, H. (1931). ‘A West Country School of Masons’.  Archaeologia 81, 1-18.

Britton, J. (1828).  History & Antiquities of Peterborough Cathedral.   Peterborough Bush, 1977 reprinted 1997.

Brooke, C. (1969). The Twelfth Century Renaissance. London, T & H.

Brunes, T. (1967). The Secrets of Ancient Geometry. Copenhagen, Rhodos.

Bucher, F. (1968). ‘Design in Gothic Architecture, A Preliminary Assessment’. JSAH.  XXVII, 49-71.

Bucher, F. (1972). ‘Medieval Architectural Design Methods 800-1560’. Gesta 11, 37-51.

Bucher, F. (1973). ‘The Dresden Sketchbook’.  Actes du XXII Congrès International d’Histoire de l’Art, Budapest, 527-37.

Bucher, F. (1976). ‘Micro-architecture as the “idea” of Gothic theory and style’.  Gesta, 15, 71-89.

Burckhardt, T. (1967). Sacred Art in East &West. London, Perrenial.

Burckhardt, T. (1976). Art of Islam, Language & Meaning. London, World of Islam Festival Trust.

Candidus, Hugh. The Peterborough Chronicle of Hugh Candidus, 2nd Edition. Ed:W.T.Mellows. Trans. Charles & W.T.Mellows. Peterborough: The Museum Society, 1966. Reprinted with corrections 1997

Caviness, M.H. (1981). The Windows of Christ Church Cathedral Canterbury. London, OUP for British Academy.

Cennini, Cenino. (1899). The Book of the Art of Cennino Cennini.  London, Allen & Unwin.

Clark, K. (1964). The Gothic Revival. Harmondsworth, Penguin.

Clark, K. (1969). Civilization. London, Murray.

Coldstream, N. (1995). Masons and Sculptors. London, British Museum Press.

Conant, K. (1968).  ‘The After-life of Vitruvius in the Middle Ages’. JSAH,(1), 33-38.

Coulton, G.G. (1961). Medieval Panorama. Vol.II. The Horizons of Thought. London, Fontana. 

Cowen, P. (1979). Rose Windows. London, T & H.

Critchlow, K. (1969). Order in Space. London, T & H.

Critchlow, K. (1976). Islamic Patterns. London, T & H.

Critchlow, K. (1994). ‘What is Sacred in Architecture’. Homage to Pythagoras, Ed: Bamford, C.  Lindisfarne Press. 169-172.

Crossley, P. (1988). ‘Medieval Architecture and Meaning’. BM.(130), 116-21.

Crossley, F. (1945). English Church Design. 1040-1540. London, Batsford.

Davies, P. (1992). The Mind of God. Science and the Search for Ultimate Meaning. Ringwood, Penguin Australia.

Davis, M.T. & Neagley, L.E. (2000). ‘Mechanics and Meaning.  Plan Design at St. Urbain, Troyes and St.-Ouen, Rouen. Gesta Vol.39/2. 161-180.

Duby, G. (1967). The Making of the Christian West, 980-1130. Skira.

Durandus, (Gulielmus) (1843). On Symbolism (Rationale Divinorum Officiorum), c.1290. Trans. J. M. Kneale & B.Webb. Rivington..

Eliade, M. (1985). Symbolism, the Sacred and the Arts. N.Y.

Felton, H. & Harvey, J. (1950). The English Cathedrals. London, Batsford.

Fernie, E. (1976). ‘The Groundplan of Norwich and the Square Root of Two’. BAA, Vol.129, 77-86.

Fernie, E.  (1978). ‘Historical Metrology and Architectural History’.  Art History, Vol.1, No.4, 383-399. 

Fernie, E. (1989). ‘Archaeology and Iconography’. AH 32, 18-29.

Fernie, E. (1990). ‘A Beginner’s Guide to the Study of Architectural Proportions’. Medieval Architecture and its Intellectual Content, Ed: Carl.F.Barnes Jr. London & Ronceverte, Hambledown Press.

Frankl, P. (1944). ‘The Secret of the Medieval Mason’. Art Bulletin, 46-60.

Frankl, P. (1960). The Gothic. Literary Sources & Interpretations through Eight Centuries. Princeton.

Ghyka, M. (1977).  The Geometry of Art and Life. N.Y.  Dover.

Gimpel, J. (1961). The Cathedral Builders. trans.C.F.Barnes, Jr. London, Evergreen.

Hamel, C. De. (1992). Scribes and Illuminators. London, Brit.Mus.

Hancox, J. (1992). The Byrom Collection.  London, Cape.

Harvey, J. (1951). ‘The Genealogical Problems of Medieval Craftsmen’. The Genealogical Magazine Vol. II. No.2

Harvey, J. (1954). English Medieval Architects. A Biographical Dictionary down to 1550. London.

Harvey, J. (1958). Medieval Design. Reprinted from the Transactions of the Ancient Monuments Society, Vol.6. 1958, Clifford’s Inn, London.

Harvey, J. (1959). The Gothic World (1100-1600). London, Batsford.

Harvey J. (1971). The Master Builders. London, T & H.

Harvey, J. (1972). The Medieval Architect. London, Wayland.

Harvey, J. (1978). The Perpendicular Style. London, Batsford

Hearn, M. (1971). ‘Regular Ambulatoriesin English Medieval Architecture’. JSAH           187-208

Hersey, G. (1976). Pythagorean Palaces. London, Cornell.

Heilbron, J. (1998). Geometry Civilized. N.Y. OUP.

Heslop, A. (1991). ‘Nostalgia and Sophisticated Living. Orford Castle’. FSAH 34, 36- 58

Hobson, E.W. (1913). The Squaring of the Circle. History of the Problem  C.U.P.

Holt. E.G. (Ed.) (1957).  A Documentary History of Art. Vol.1, Doubleday Anchor.

Holt, M. (1971). Mathematics in Art. London, Studio Vista.

Hopper, V.F. (1938). Medieval Number Symbolism. N.Y.

Hudson H.P (1916). Ruler and Compass. London, Longmans Green.

Iamblichus, (1988). The Theology of Arithmetic. Phones Press.

Irvine, G. (1890). ‘Peterborough Cathedral, The Western Porch’. The Builder Sept 20.

James J. (1973).  Medieval Geometry. ‘The Western Rose of Chartres Cathedral’. Architectural Association Quarterly, vol.5, no.2, 4-10.

James, J. (1978). The Contractors of Chartres. Dooralong Australia, Mandorla.

James, J. (1979). ‘Gothic Pinnacles’, Review of Shelby’s Gothic Design Methods. AAQ, 55-59.

Katz, V. (1998).  A History of Mathematics. USA, Addison Wesley.

Kellett, E.E. (1962). A Short History of Religions. Harmondsworth, Penguin.

Kidson, P. (1996). ‘Architectural Proportion before c.1450’ Macmillan Dictionary of Art Vol.2, 343-352.

Kline, M. (1972). ‘Mathematics in Western Culture’. Pelican.

Knoop, D. and Jones, G. P. (1967) The Medieval Mason. 3rd Edn. Manchester.

Krautheimer, R. (1942). ‘Introduction to an Iconography of Medieval Architecture’JWCI, 1-33.

Kruft, Hanno-Walter. (1994).  A History of Architectural Theory from Vitruvius to the Present. London, Zwemmer, and NY, Princeton Architectural Press.

Lawler, R. (1982).  Sacred Geometry. Philosophy and Practice. T&H London.

Le Corbusier, (1946). Toward A New Architecture. Trans. Echells, F. Architectural Press.

Leedy, W. (1980). Fan Vaulting. A Study of Form, Technology & Meaning. Santa Monica, Cal. A&A Press.

Lesser, G. (1957). Gothic Cathedrals & Sacred Geometry. 3 Vols. London, Tiranti.

Lethaby, W.  R. (1974). Architecture, Mysticism and Myth. London, Architectural Press.

Levy, E. (1956). The Octagon Scheme applied to Chartres Cathedral. M.I.T. Mass.

Lund, F.M. (1921).  Ad Quadratum. London, Batsford.

Lyle, Emily. (1992). Ed. Sacred Architecture in the traditions of India, China, Judaism and Islam. Edinburgh, Edinburgh University Press.

McAleer J. (1966). ‘The Romanesque Façade of Norwich Cathedral’. JSAH, 25/2 136-40

McAleer, J. (1966). The Romanesque Church Façade in Britain’. JSAH 25/2 136-40

Mcaulay, Strachan, & Robinson. (1973). Chartres Cathedral and the Pythagorean Comma. Edinburgh, unpublished.

Mainstone, R. J. (1988). Hagia Sophia. London, T&H.

Mâle. E. (1961). The Gothic Image. London, Fontana. (First published as Religious Art in France 13th century. A Study in Medieval Iconography and its Sources of Inspiration.)

Mann, A. (1993). Sacred Architecture. Dorset, Element.

Mathew, G. (1963).  Byzantine Aesthetics. London, Murray.

Michell, J. (1973). The City of Revelation, London. Abacus. 

Momigliano (Ed.) (1965. The Conflict between Paganism and Christianity in the Fourth Century, Oxford, Clarendon.

Morgan, B.G. (1961). Canonic Design in English Medieval Architecture. Liverpool University Press.

Morgan, M.H.(trans) (1960). Vitruvius. The Ten Books on Architecture. NY, Dover.

Mount, S. The Geometrical Experimentations at Peterborough Cathedral. Peterborough, unpublished.

Neumann, Eva-Marie. (1996). ‘Architectural Proportion in Britain 1945-57’. JSAH, 197-221.

Neagley, L. (1999).  Disciplined Exuberance. Philadelphia

Nordstrom, F. (1955).Peterborough, Lincoln & the Science of Robert GrossetesteArt Bulletin, 17, 241-272.

Pace, P. (1990). The Architecture of George Pace. London, Batsford.

Padovan, R. (1999). Proportion. London, Spon.

Pedloe, D. (1976). Geometry and the Liberal Arts. London, Penguin.

Peers. Sir Charles, (1906). Peterborough Minster’. in W. Ryland, D.Atkins, et al. (eds.), The Victoria County History of Northamptonshire,ii (London: Archibald Constable & Co., 1906), 431-56.

Pennick. N. (1979). The Ancient Science of Geomancy, London, T&H.

Pennick, N. (1980). Sacred Geometry. Symbolism & Purpose in Religious Structures. Wellingborough, Turnstone.

Pevsner, N. & Metcalf, P. (1985).  The Cathedrals of England. Middle, Eastern & Northern England. Viking.

Prak, N.L. (1966). ‘Medieval Architecture. Measurements at Amiens’. JSAH 25/2209-212.

Redding, C.M. & Clark, W.W. (1992). Medieval Architecture. Medieval Learning, Builders and Masters in the Age of Romanesque and Gothic.  New Haven.

Reilly, L. (1997). An Architectural History of Peterborough Cathedral.  Oxford, OUP

Rowland, I.D.(trans) (1999). Vitruvius. The Ten Books of Architecture, Cambridge. CUP.

Salzman, L. (1952). Building in England down to 1540. Oxford, OUP.

Sauneron S. (1960). The Priests of Ancient Egypt. London, Evergreen.

Saxl, F.(1946). Lincoln Cathedral. The Eleventh Century Design for the West Front.’ Archaeological Journal 103, 105-18.

Scholfield, P.H. (1958). The Theory of Proportion in Architecture. Cambridge, CUP.

Shelby, L. (1961). ‘Medieval Masons’ Tools. I. The Level and Plumb Rule’. Technology and Culture II, 127-30.

Shelby, L. (1964). ‘The Mathematical Knowledge of the Medieval Mason’. JSAH

Shelby, L. (1964). ‘The Role of the Master Mason in Medieval English Building’. Speculum, vol.XXXIX No.3, 387-403.

Shelby, L. (1965). ‘Medieval Masons’ Tools II, Compass and Square’. Technology and Culture, VI, 236-48.

Shelby, L.R. (1970). ‘The Education of Medieval English Master Masons’. Medieval Studies XXXII 1-26.

Shelby, L. (1971a).‘Medieval Masons’ Templates’. JSAH, 30, 140-154.

Shelby, L. (1971b).‘The Mathematical Knowledge of the Medieval Architect’. JSAH. 238.

Shelby, L. (1972). ‘The Geometrical Knowledge of Medieval Master Masons’. Speculum 47, 395-421.

Shelby, L. (1977). Gothic Design Techniques. The 15th century design booklets of Mathes Roriczer and Hanns Schmuttermayer. Carbondale, Southern Illinois U.P. & London, Pfeffer & Simons.

Shelby, L. (1979). ‘Late Gothic Structural Design in the “Instructions” of Lorenz Lechler’.  Architectura, Vol.9 no.2, 113-131.

Simson, Otto von. (1956). The Gothic Cathedral. NY, Pantheon for Bollingen Foundation.

Stallard, & Bush, P. (1994). The Geometric Skeleton of Peterborough Cathedral. Peterborough, P.Bush.

Stalley, R. (1999). Early Medieval Architecture. Oxford. OUP.

Sultan A. (1980). ‘Notes on the Divine Proportion in Islamic Architecture’. Process 15, Tokyo.

Sunderland, E. (1959). ‘Symbolic Numbers and Romanesque Church Plans’. JSAH XVIII/3, 94-103

Surdel S. (1992). ‘Met passer en winkelhout’ over de mythe der middeleeuwse ‘Baugeometrie’ Decorum. jrg. X, nr 1/jan.1992. 3-12 en nr 2/april, 49.

Swaan, W. (1981). The Gothic Cathedral. NY, Park Lane.

Taylor, R. (1967). ‘Architecture and Magic.’ Essays presented to Rudolf Wittkower, Ed. D. Fraser, H.Hubbard & M.J.Levine. London, Phaidon.

Toker, F. (1985). ‘Gothic Architecture by Remote Control. An Illustrated Contract of 1340’.  Art Bulletin. LXVII, No.1, 67-95.

Turner, E. W. (1890). ‘The West Front of Peterborough Cathedral’. Building News, March 9, 1890. 326-7.

Warren, J. (1976). Greek Mathematics and the Architects to Justinian. AARP, London, Coach.

Webb, G. (1952). ‘The Sources of Design of the West Front of Peterborough Cathedral’. Archaeological Journal (London) LVI (Supplement for 1952), 113-20.

Wells, R. (1981). ‘Number Symbolism in the Renaissance Lute Rose’.  Early Music, January 1981. 32-42.

Wilton-Ely, J. (1964). ‘The Architectural Model’.  The Architectural Review, 27-32

Wertheim M. (1997). Pythagoras’ Trousers. London, 4th Estate.

Wiener, W. & Wetzel, G. (1994). A Report on Data Analysis of Building Geometry by Computer. JSAH / 53:4, 448-460.

Wittkower R. (1952). Architectural Principles in the Age of Humanism. London

Woodman F. (1981). The Architectural History of Canterbury Cathedral. RKP

Zupko, R. (1977). British Weights and Measures. A History. London, Madison, & University of Wisconsin Press.